Fans of the X-Men series have been clamouring for a gritty, ultra-realistic and brazenly violent Wolverine movie for many years, and even more so recently considering the success of fellow Fox property Deadpool. In Logan, which is touted to be Hugh Jackman’s last turn as the adamantium-clawed mutant, Fox and director James Mangold have achieved everything they set out to accomplish, and then some.
It is 2029, and mutants have become virtually extinct, with the few that remain seemingly in hiding from their human oppressors. A greying, bearded and dishevelled Logan is living in a rugged outpost near the Mexican border where his primary function is to care for a mentally debilitating Professor Xavier – with the legendary Patrick Stewart reprising his role as the iconic mind-reader for the final time. The Professor requires a lot of medication to restrain his substantial telepathic powers, which Logan pays for through his side job as a limo driver. It is somewhat disturbing to see these archetypal mutants in such a miserable state – it certainly makes a change from Xavier’s lavish X-Mansion in upstate New York.
One of the main story arcs in the film begins when Logan encounters Laura, a powerful young mutant portrayed by actress Dafne Keen who shines in a breakout performance. The girl is hunted by the methodical and frightening half-man, half-cyborg Donald Pierce, with Boyd Holbrook of Narcos fame putting in a superb display of charisma and nefariousness, and he will stop at nothing to bring Laura back to his Mutant Experimentation Centre. At first glance you could be forgiven for wondering why Laura is such an asset to the evil Pierce – but all will become clear around a quarter of the way through as her relationship with Logan develops.
Hugh Jackman has appeared in the X-Men series since its big screen debut in 2000, but for the first time, Wolverine feels mortal. You get the sense that every unsheathing of his trademark claws and blood-soaked battle may be his last, which separates Logan from modern day superhero movies where everyone appears to have an air of invincibility. It is a dark, emotional tale but at the same time an uplifting one. It is the perfect send-off for everyone’s favourite slicer and dicer. You can cast aside many of your superhero tropes and clichés for this one, as James Mangold tears up the rulebook and starts from scratch.